The Treasury of Lives

The Nyingma (rnying ma) - literally the "ancient" - is considered the oldest tradition of Tibetan Buddhism, although when the disparate institutions and strands of transmission were first conceived as belonging to a singular and coherent entity is not clear. According to legend, the Nyingma teachings were brought to Tibet in the eighth century by Padmasambhava, a tantric ritual specialist invited to Tibet to subjugate native deities that were obstructing the dissemination of Buddhism. Padmasambhava and other Indian masters such as Vimalamitra, and select Tibetan translators such as Vairocana, propagated the tradition's primary teaching, Dzogchen, a tantric system that has also been adopted to varying degree by other traditions. The Indic scriptures that were translated in the eighth and ninth centuries and the teachings by the masters of that era have come to be known as the "Kama," or spoken word tradition. Since at least the twelfth century Nyingma teachers known as terton, or "treasure revealers" have produced new scriptures said to have been concealed by Padmasambhava or others for the benefit of future eras. The Nyingma maintains both lay and monastic traditions, with six mother monasteries: Dorje Drak and Mindroling in central Tibet, and Katok, Pelyul, Dzogchen and Zhechen in Kham.

The Sakya (sa skya) tradition was founded by Khon Konchok Gyelpo in 1073, a date marked by his founding of Sakya temple in the Sakya valley in Tsang. Konchok Gyelpo’s son Sachen Kunga Nyingpo combined his Khon family’s lineage of Yangdak and Vajrakīla, which his ancestor Khon Lui Wangpo received during the Imperial era, with new teachings. These include the Sakya Lojong teachings of the Zhenpa Zhidrel (zhan pa bzhi bral), obtained in a vision of Manjuśrī, and the Lamdre teachings that are based on the Hevajra tantra. The Sakya Lamdre teachings were transmitted by the Indian Mahāsiddha Virupa via a long line of teachers to the Tibetan yogin Zhangton Chobar, who transmitted them to Sachen. Sachen also received Cakrasaṃvara, Vajrabhairava, the Vajrayoginī of Nāropa, and Pañjaranātha Mahākāla from Mel Lotsāwa Lodro Drakpa. Sachen’s two sons, Sonam Tsemo and Drakpa Gyeltsen were the next to lead the temple. Drakpa Gyeltsen’s nephew, Sakya Paṇḍita Kunga Gyeltsen, one of the greatest scholars of his day, was the fourth in the lineage. The fifth was Sakya Paṇḍita’s nephew, Pakpa Lodro Gyeltsen, who traveled with his uncle when the Mongolian leader Godem Khan summoned him. In 1253 Pakpa met Qubilai Khan, who three years later conquered China and initiated the Yuan Dynasty. Borrowing from Tangut-Kagyu alliance of the previous century, Qubilai and Pakpa entered into a relationship of “patron and priest,” with Pakpa being made guoshi, or Imperial Preceptor. With Mongolian support, the Sakya Khon family ruled Tibet until the rise of the Pakmodru Dynasty in the middle of the fourteenth century. Three branches of the Sakya tradition are the Ngor (ngor), founded by Ngorchen Kunga Zangpo and based at Ngor Evam Choden monastery, and Tsar (tshar), established by Tsarchen Losel Gyatso and based at Dar Drangmoche. The Ngor tradition became influential in the dissemination of the Sakya tantric teachings, and the Tsarpa in the esoteric transmission known as the Lobshe, which contrasts to the more widely taught Tsokshe, both being teaching traditions of Lamdre. A third branch is the Dzongpa, which is based at Gongkar Chode in Gyangtse. There are several independent institutions that share Sakya doctrinal tradition, including Jonang (jo nang), Bodong (bo dong), and Bulug / Zhalu (bu lugs / zhwa lu), and which are frequently considered part of the Sakya tradition.

The Marpa Kagyu tradition originated in the eleventh century with the Tibetan translator Marpa Chokyi Lodro, who studied in India with Nāropa. Marpa’s disciple Milarepa famously attained enlightenment in the caves of southern Tibet after renouncing a life of violent revenge; his disciple Gampopa merged the lay siddha practice of his master with the Kadampa monasticism and scholarship that he had previously studied. Gampopa founded the first Kagyu monastery, Daklha Gampo in southern Tibet. Following Gampopa the tradition split into multiple autonomous subsects known as the four primary (Barom, Pakdru, Karma, and Tselpa), and eight secondary traditions (Drigung, Drukpa, Martsang, Shukseb, Taklung, Tropu, Yabzang, and Yelpa Kagyu), established by disciles of Pakmodrupa. The Drukpa Kagyu is further divided into Upper, Middle, and Lower. In addition to the above system, the Ngok (rngog) lineage begun by Ngok Choku Dorje, a disciple of Marpa, was a distinct Marpa Kagyu tradition that existed independently for several centuries. Also often considered an independent tradition was the Aural Lineage of Rechungpa, initiated by the disciples of  Milarepa’s disciple Rechung Dorje Drakpa. The Barawa Kagyu tradition is considered a sub-branch of the Yanggon Kagyu, itself an offshoot of the Upper Drukpa. All Marpa Kagyu traditions claim allegiance to the tantric teachings of the Indian Mahāsiddha tradition, primarily that of Nāropa, in the form of the Six Yogas of Nāropa and the doctrine of Mahāmudrā. The Kagyu were also heavily involved in the transmission of the Cakrasaṃvara, Hevajra, among other tantras of the Second Propagation era.

Alongside the transmission lineage of Marpa is that of Khyungpo Neljor, who received Mahāmudrā teachings in India from Niguma, who may have been Nāropa's sister, and who accordingly taught the Six Yogas of Niguma. He established the monastery Zhangzhung Dorjeden in Tsang and initiated the Shangpa Kagyu tradition.

The Barom branch of the Kagyu tradition was established by Barompa Darma Wangchuk, a disciple of Gampopa. The name is based on the monastery Darma Wangchuk established in Kham in 1160, Barom Riwoche. Among the recent illustrious members of the tradition were Tulku Urgyen Rinpoche.

The Tselpa Kagyu tradition, one of the four major lineages of the Kagyu tradition, was founded in the twelfth century by Zhang Yudrakpa, also known as Lama Zhang. The seat was at Tsel Guntang, north of Lhasa.  Important figures include Dungtso Repa Sherap Gyeltsen who revealed teachings of Gampopa. The tradition was absorbed by the Geluk school in the fifteenth century and its monasteries were converted. 

The Karma Kagyu tradition originated with Dusum Khyenpa, a disciple of Gampopa, who was posthumously given the title of First Karmapa. The seat of the tradition was initially Karma Gon in Kham, and then Tolung Tsurpu near Lhasa. The Karma Kagyu tradition has since its beginning maintained close ties to the Nyingma tradition. In addition to the Karmapa incarnations, other major lines associated with the Karma Kagyu include the Zhamarpa, Situ, and Kongtrul lines.

The Pakdru Kagyu refers to the tradition based at Densatil Monastery, the seat of Pakmodrupa Dorje Gyelpo, which he established in 1158. A student of Sachen Kunga Nyingpo, Pakmodrupa combined elements of Sakya tradition into the teachings he received from Gampopa. Pakmodrupa's disciples established what are customarily listed as the eight secondary Kagyu traditions: Drigung, Drukpa, Martsang, Shukseb, Taklung, Tropu, Yabzang, and Yelpa Kagyu. Following the collapse of the Yuan-Sakya period in the late fourteenth century, the Lang family that controlled Densatil ruled Tibet for roughly a hundred years, a period known as the Pakmodru Dynasty. However, at the time the Lang family patronized multiple traditions, including the Geluk, and should not be thought of as advocates of Pakmo Kagyu.

The Orgyen Nyendrub (o rgyan bsnyan sgrub) is a tantric tradition that was included by Jamgon Kongtrul in his “Eight Chariots of the Practice Lineage” doxography, but which never developed a distinct institutional identity. It is also known as the Dorje Sumgyi Nyendrub (rdo rje gsum gyi bsnyen grub). Kongtrul credited its origin to the thirteenth century when Orgyenpa Rinchen Pel, a disciple of the Drukpa Kagyu Lama Gotsangpa Gonpo Dorje and of the Second Karmapa, Karma Pakshi. Orgyenpa traveled twice to India, first in the north to Oḍḍiyāna, Kashmir and Ladakh, and then later to Vajrāsana. He passed on his teaching to disciples in the Drukpa and Karma Kagyu tradition.

The Drukpa Kagyu tradition was founded in the twelfth century by Tsangpa Gyare, a disciple of Lingrepa, himself a student of Pakmodrupa. The tradition draws its name from a vision Tsangpa Gyare had of nine dragons – druk in Tibetan. The principal seat is at Ralung, in Tibet, the seat of the Gyelwang Drukchen, head of the Tibetan branch of the tradition, which is made up of the Upper, Middle, and Lower Druk, following the transmission lines of three of Tsangpa Gyare's disciple: Gotsangpa, Wonre Darma Senggye, and Lorepa, respectively. The tradition split again in the late sixteenth century when there were two rival candidates for the reincarnation of the Fourth Drukchen, Pema Karpo. Paksam Wangpo, the candidate favored by the King of Tsang, became the Fifth Drukchen, and his rival, Zhabdrung Ngawang Namgyel went south and created the modern state of Bhutan. His incarnations, the Drukpa Zhabdrung, head the Bhutanese tradition, with their appointed regents occupying the office of the Je Khenpo.

The Rechung Nyengyu is a lineage of the Kagyu tradition that is traced to Rechungpa's "Aural Transmissions" (snyan rgyud), which he received from Milarepa. Rechungpa also received teachings from Tipupa in India. The lineage draws heavily from the Cakrasaṃvara Tantra and includes liturgies, ritual manuals and tantric commentaries. Tsangyong Heruka, the fifteenth century "Mad Yogin," famous for his biography of Milarepa, codified Rechungpa's teachings, along with those of Gampopa and Ngendzong Repa.

The Drigung Kagyu tradition was initiated by Jikten Gonpo, a disciple of Pakmodrupa, upon the establishment of Drigung Til Monastery in 1179. One of the largest and most influential Kagyu sub-traditions, it briefly vied with the Sakya for control of Tibet during the thirteenth century. Originally led by the Kyura clan, since the seventeenth century it has been headed by the Drigung Chungtsang and Drigung Chetsang incarnation lines. The tradition is particularly strong in Ladakh.

The Tropu Kagyu tradition, one of the eight minor Kagyu lineages, was founded by Gyeltsa Rinchen Gonpo, a disciple of Pakmodrupa, in the twelfth century. Rinchen Gonpo founded Tropu monastery, which became the seat of the tradition. The acclaimed translator Tropu Lotsāwa Jampa Pel, Rinchen Gonpo's nephew, would eventually establish the Tropu Kagyu as a distinct lineage.

The Taklung Kagyu tradition was established by Taklungtangpa Tashi Pel, a disciple of Pakmodrupa Dorje Gyelpo, who founded Taklung Monastery in 1180. In 1276 Sanggye Won, who was forced from the abbacy of Taklung Monastery, went to Kham and established Riwoche, which became a second seat of the tradition.Beginning in the fifteenth century, Taklung Kagyu began to be strongly influenced by Nyingma teachings.

The Shukseb Kagyu, one of the eight sub-branches of the Kagyu tradition, was founded by Gyergom Tsultrim Sengge, a student of Pakmodrupa Dorje Gyelpo. The Shukseb lineage is named after Shukseb Monastery, which Gyergom founded in 1181. Its teachings were based on the do ha cycles trasmitted to Tibet that originated with Indian masters including Tilopa and Naropa.

The Yabzang Kagyu, one of the eight minor Kagyu lineages, was founded in the twelfth century by Pakmodrupa's disciple Zarawa Kelden Yeshe Sengge, whose student Yabzang Choje Chokyi Monlam systematized the teachings of Zarawa to form the basis of the tradition. Yabzang and Zara were important Yabzang Kagyu monasteries. Neither monasteries flourished for very long, and the Yabzang Kagyu teachings were absorbed into other traditions.

The Yelpa Kagyu tradition was established by Yelpa Yeshe Tsek, a disciple of Pakmodrupa. It thus counts as on of the "minor branches" in that it stems from the students of Pakmodrupa rather than Gampopa. Yeshe Tsek established multiple monasteries, chief among them being Shar Yelpuk in 1171, which served as the seat of the tradition. A characteristic of the Yelpa Kagyu is the inclusion of the Gesar of Ling and Huṃkāra traditions. 

The Martsang Kagyu was established when Marpa Sherab Yeshe, a disciple of Pakmodrupa, founded Sho Monastery in 1167, in Markham, Kham. Sherab Yeshe's disciple Drogon Rinchen founded a monastery named Tsomdo, and together the two monasteries serve as the headquarters of the tradition, which is led by the Gangri Karma incarnations. Both monasteries were destroyed by the Mongol invasions of the seventeenth and eighteenth century, and were rebuilt each time.

The Shangpa Kagyu (shangs pa bka’ brgyud) tradition was initiated in the eleventh century by Khyungpo Neljor, who received the Mahāmudrā teachings in India from Niguma, whose brother was Nāropa, the prognitor of the Marpa Kagyu. He established the monastery of Zhangzhong Dorjeden in the Shang valley in Tsang. A single line of transmission, said to have been initiated by the Buddha Vajradhara and taught first to Niguma, and which passed from Khyungpo Neljor through Mokchokpa, Wonton Kyergangwa Chokyi Sengge, Nyenton Rigung Chokyi Sherab, and Sanggye Tonpa Tsondru Senge, was known as the transmission of the seven precious Shangpa. In the thirteenth century Sanggye Tonpa passed the lineage on to multiple disciples and the Shangpa teachings were written down. The Shangpa lineages were largely absorbed into the institutional organizations of the Marpa Kagyu, Geluk, Sakya and Jonang, although it was partially revived in the nineteenth century by Jamgon Kongtrul; his two personal hermitages, Tsadra Rinchen Drak and Dzongsho Deshek Dupa are both Shangpa Kagyu institutions. The Shangpa teachings are known as the Five Golden Doctrines, which include the Nigu Chodruk, a grouping similar to the Nāro Chodruk of the Marpa Kagyu.

The Barawa Kagyu ('ba' ra ba bka' brgyud) was established in the fourteenth century by Gyeltsen Pelzang from Baradrak in Shang. Gyeltsen Pelzang also founded the first monastic complex of this tradition there, Dondrubding Monastery, which served as the seat of his incarnation line, the Barawa Tulku. The Barawa tradition emerged from the Yanggon Kagyu, founded by Yanggonpa Gyeltsen Pel. The latter is in turn a sub-branch of the Upper Druk. As early as the fourteenth century, the Barawa Kagyu spread to Bhutan. Later monasteries were established at different places in Tibet but mainly along the Himalayan slopes and in Sikkim. The most important centers in Tibet were Dondrubding Monastery in Baradrak, Drapu Choling Monastery in Kyirong, and Kagyu Gonsar Monastery in the Chumbi Valley, none of which have survived into the modern era, although the tradition continues in exile communities. The core teachings include, among others, the Mountain Dharma Trilogy (ri chos skor gsum) by Yanggonpa Gyeltsen Pel and the Exegesis of Buddhism (thar par 'jug pa'i gru bo zab don chos kyi gter mdzod), an encyclopedia of Buddhist scholasticism by Barawa Gyeltsen Pelzang.

Ehrhard, Franz-Karl. 2009. "The Lineage of the 'Ba'-ra-ba bKa'-brgyud-pa School as Depicted on a Thangka and in Golden Rosary Texts." Münchner Beiträge zur Völkerkunde 13, 179–209.

Erschbamer, Marlene. 2017. The 'Ba'-ra-ba bKa'-brgyud-pa: Historical and Contemporary Studies. Vienna: WSTB.

An unusual Kagyu lineage -- possibly the Shri Sahaja Hevajra -- painting, which includes one of the earliest known image of a Karmapa.

A painting of Sachen Kunga Nyingpo.

Sanggye Sengge, the eleventh throne holder of Ngor Ewam Monastery.

Sanggye Sengge, the eleventh throne holder of Ngor Ewam Monastery is the main figure in this work, created between 1550 and 1560. It is in the Menri style with Beri elements.

A portrait of Sachen Kunga Nyingpo in the classic Beri style. Based on stylistic comparison, it is likely from the fourteenth or fifteenth century.

Drakpa Gyaltsen and Sakya Pandita, uncle and nephew, teacher and student surrounded by the lineage Kings of Shambhala. This composition belongs to a larger set of paintings depicting the Lamdre Lineage of the Sakya Tradition of Tibetan Buddhism in a two figure per composition configuration.

A Sakya lineage painting.

An important early Kagyu painting, possibly the earliest known depiction of the First Karmapa. The lineage depicted is likely the Shri Saraha Hevajra that passed into Tibet through Zhang Yudrakpa.

The footprints of an early Karmapa, probably the first, Dusum Khyenpa, together with a portrait and the eight auspicious symbols.

Drakpa Gyeltsen and Sakya Pandita, uncle and nephew, teacher and student surrounded by the lineage Kings of Shambhala. This composition belongs to a larger set of paintings depicting the Lamdre Lineage of the Sakya Tradition in a two figure per composition configuration.

Pakmodrupa Dorje Gyelpo. One of the three principal students of Gampopa and teacher to many patriarchs of Kagyu sub-traditions.

An early statue of the twelfth century adept Padampa Sanggye

Sakya Lotsawa Jampai Dorje, the twenty-third Sakya Tridzin.

Karma Kagyu Field of Accumulation painting with the Fifteenth Karmapa, Kakyab Dorje, as the last lineage holder at the time of the compositions creation.

A magnificent eighteenth century painting depicting Gampopa with a number of early Drukpa Kagyu masters, including early abbots of Ralung Monastery and several of the "Nine Incomparable Lions."

Wangdu Nyinpo was the Twenty-ninth Sakya Tridzin. This painting gives visual representation to his previous incarnations, which include Padmasambhava, and some of his disciples.

Nineteenth century painting of the Drukpa Kagyu lineage of Bhutan.

Eighteenth century thangka of Drukpa Kagyu and Kagyu lineage masters.

An eighteenth century painting of the Indian master Śākyaśrībhadra.

An eighteenth century painting of Puchungwa Zhonnu Gyeltsen with Rinchen Zangpo.

This late eighteenth or early twentieth century Drigung Kagyu painting of Padmasambhava and the Drigung Kagyu refuge field is associated with a terma tradition of Rinchen Puntsok. Drigung Monastery is pictured along the bottom of the painting along with Terdrom on the left edge. A nearby treasure site is shown adjacent to Terdrom.

Surkhang Wangchen Tseten and his first wife Lhagyari Tseten Chodzom, circa 1926. 

Yuthok Dorje Yudon, second from right, with her relatives, ca. 1937, was a member of two prominent Lhasa families, the Surkhangs and the Yuthoks. 

Lhagyari Namgyel Gyatso, the Seventeenth Ruler of Eyul and the head of the aristocratic Lhagyari family, in his later years in exile in India.

A wedding picture of Lhagyari Namgyel Gyatso, the Seventeenth Ruler of Eyul, with his second wife Puntsok Drolkar, in India. In 1985. 

A photo of Yuthok Dorje Yudon, a member of the Surkhang family who married into the Yuthoks, in 1988, taken by Christine Cox. 

Yuthok Tashi Dhondup with Kunpel, a favorite of the Thirteenth Dalai Lama, with the Dalai Lama's Baby Austin with the license plate "Tibet 2." The photo was taken in 1933 in front of the British mission at Dekyilingka in Lhasa. 

Yuthok Tashi Dhondup and Taring Jigme, generals in the Tibetan army, circa 1931. Yuthok was Depon or general of the Drongdrak garrison at the time.

Surkhang Wangchen Gelek with wife Dekyi Lhaze and daughter in Lhasa city with the Potala Palace in the background. The photo was taken by Heinrich Harrer. 

The central figure of Shakyamuni Buddha is shown with Tsongkhapa and primary disciples in the upper left corner. Below are protector deities.

A group of Tibetan army officers with Tsarong Dasang Damdul seated in the center. The photo was likely taken in Lhasa. Tsarong, a commoner who rose to become Commander-in-Chief, created the first modern Tibetan army. 

This 19th century painting depicts the central figure of Do Khyentse Yeshe Dorje with previous Nyingma masters above. 

This eighteenth-century painting depicts Śākyamuni Buddha with primordial buddha Vajradhara, bodhisattvas Maitreya and Mañjuśrī, and multiple Geluk masters. 

A fifteenth century painting of Sachen Kunga Nyingpo, the Third Sakya Trizin and son of Khon Konchok Gyelpo.

Avalokiteśvara Jinasagara is depicted at center with meditation deities immediately surrounding: Hayagrīva (left), Guhyajñāna (right), Siddharajni (center top), Mahākāla (center bottom). On the uppermost level is Milarepa on the left, Marpa in the center, and Gampopa on the right. 

19th century painting of Jatson Nyingpo from eastern Tibet depicts the prolific treasure revealer wearing monks robes.

Namkhai Nyingpo, one of the twenty-five disciples of Padmasambhava, is depicted with long-life ritual implements. Other details of this nineteenth century painting from Kham suggest a elements from Jamgon Kongtrul's story of Namkhai Nyingpo and Dorje Tso. 

The protector deity Pehar Gyelpo is depicted with three Geluk masters above. 

This prayer card dating to around the year 1000 is from Toling in Western Tibet. It depicts Śākyamuni Buddha in a preaching posture. 

A receipt dated September 9, 1965 documenting the dispersal of funds to the Sakya Trizin and the Sakya Settlement at Dehra Dun, by Lobsang P. Lhalungpa on behalf of the Tibet Society of United Kingdom.

Gyelrong Choktse Gyelpo, Tseten Zhabdrung and Meu Gyalpo photographed at the White Stupa in Beijing. 

Members of the Royal Family of Derge led by Dorje Sengge

Lobzang Chokyi Gyeltsen, the first person to hold the title of Paṇchen Lama, is pictured in this eighteenth century painting, with Maitreya to the right enveloped in a rainbow. The upper left depicts Cakrasaṃvara and to the right is Paṇchen Lama's teacher Khedrub Sanggye Yeshe. The lower left shows Vaiśravaṇa, with Begtse Chen to the right.

An unidentified person, Tseten Zhabdrung, Sungrab Gyatso (left to right)

Lama Gyurdrak and LP Lhalungpa photographed with Canadian High Commisioner James George and family, Delhi, late 1960's. 

Nineteenth century (likely made after 1829) painting from Drumpa Monastery in southern Tibet near the border of Bhutan depicts the Mountain Dharma Trilogy transmission of Yanggonpa. The painting portrays Kagyu masters including lineages of the Barawa subsect of the Drukpa Kagyu. Annotations and analysis courtesy of Dr. Marlene Erschbamer.